musiknoten symbol

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We will further define relationships in Music Math Theory. If you are familiar with notes, rests, beams, and ties you can skip to the next section.

But review the symbols so you know what they are. In music we choose the note as one of the ways to show how our music will be played. The note will represent when an instrument will be played.

Be it a drum, keyboard, brass, guitar, our legs, a table top, or what ever. Our basic set consists of the Whole note, the Half note, the Quarter note, the Eighth note, and the Sixteenth note.

What does all this mean? Look below and you can see the how we express the notes. These are the five basic note symbols we use in most of the music and rhythms we will play.

We need to add one more component to complete our basic rhythm symbols. Add it directly behind the note and it becomes a dotted note.

It means add half the value to the note. We will look at that in music math. We can add the dot to the other notes as well, this means to add half as much to the value again.

How to identify the music letters for the song. I have just tried to type the code for musical flat and it resulted in a letter "m" in the trial box.

I held down the ALT key whilst typing the required characters. Hai , Very good morning. I am jacob, from hosur. Please send me basic knowledge. I only get empty squares.

Obviously, there is something missing in my computer running XP. Is it possible to find any type of rest symbols? It seems there's everything but these symbols.

The browser doesn't accept them Thanks for the info! On removing the semicolon, the sharps and flats displayed perfectly!

One small, but important thing: That goes for any "full size" keyboards. There are supposed to be ways to do it on laptops too - but I haven't made notes of that.

I have bought a full size keyboard for my laptop, because I write zillions of letters. I also have hooked up a much larger display, so now my cats takes turns to sleep on the closed lid of the laptop.

Is it possible to create the music rest symbols for quaver rest, minum rest, crotchet rest and semi-breve rest? Alt-Codes can be typed on Microsoft Operating Systems: Unicode codes can not be typed.

To use them in facebook, twitter, textbox or elsewhere just follow the instructions at top. Glissando or Portamento A continuous, unbroken glide from one note to the next that includes the pitches between.

Some instruments, such as the trombone, timpani, non-fretted string instruments, electronic instruments, and the human voice can make this glide continuously portamento , while other instruments such as the piano or mallet instruments blur the discrete pitches between the start and end notes to mimic a continuous slide glissando.

Tuplet A number of notes of irregular duration are performed within the duration of a given number of notes of regular time value; e. Tuplets are named according to the number of irregular notes; e.

Chord Several notes sounded simultaneously "solid" or "block" , or in succession "broken". Two-note chords are called dyad ; three-note chords are called triads.

A chord may contain any number of notes. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played.

It is also called a "broken chord". Pianississimo [D 1] Extremely soft. Very infrequently does one see softer dynamics than this, which are specified with additional p s.

Usually the softest indication in a piece of music, though softer dynamics are often specified with additional p s. Mezzo forte Moderately loud; softer than forte.

If no dynamic appears, mezzo-forte is assumed to be the prevailing dynamic level. Usually the loudest indication in a piece, though louder dynamics are often specified with additional f s such as fortississimo — seen below.

Fortississimo [D 1] Extremely loud. Very infrequently does one see louder dynamics than this, which are specified with additional f s.

Sforzando Literally "forced", denotes an abrupt, fierce accent on a single sound or chord. When written out in full, it applies to the sequence of sounds or chords under or over which it is placed.

Crescendo A gradual increase in volume. Can be extended under many notes to indicate that the volume steadily increases during the passage.

Diminuendo Also decrescendo A gradual decrease in volume. Can be extended in the same manner as crescendo. Forte-piano A section of music in which the music should initially be played loudly forte , then immediately softly piano.

Staccato This indicates the musician should play the note shorter than notated , usually half the value; the rest of the metric value is then silent.

Staccato marks may appear on notes of any value, shortening their performed duration without speeding the music itself.

Staccatissimo or Spiccato Indicates a longer silence after the note as described above , making the note very short. Usually applied to quarter notes or shorter.

These usages are now almost defunct, but still appear in some scores. In string instruments this indicates a bowing technique in which the bow bounces lightly upon the string.

Accent Play the note louder, or with a harder attack than surrounding unaccented notes. May appear on notes of any duration. Tenuto This symbol indicates play the note at its full value, or slightly longer.

It can also indicate a slight dynamic emphasis or be combined with a staccato dot to indicate a slight detachment portato or mezzo staccato.

Marcato Play the note somewhat louder or more forcefully than a note with a regular accent mark open horizontal wedge. In organ notation, this means play a pedal note with the toe.

Above the note, use the right foot; below the note, use the left foot. Fermata Pause A note, chord, or rest sustained longer than its customary value.

Usually appears over all parts at the same metrical location in a piece, to show a halt in tempo. It can be placed above or below the note.

The fermata is held for as long as the performer or conductor desires. Trill A rapid alternation between the specified note and the next higher note according to key signature within its duration, also called a "shake".

When followed by a wavy horizontal line, this symbol indicates an extended, or running, trill. In modern music the trill begins on the main note and ends with the lower auxiliary note then the main note, which requires a triplet immediately before the turn.

In music up to the time of Haydn or Mozart the trill begins on the upper auxiliary note and there is no triplet. Upper mordent Rapidly play the principal note, the next higher note according to key signature then return to the principal note for the remaining duration.

In most music, the mordent begins on the auxiliary note, and the alternation between the two notes may be extended.

In handbells , this symbol is a "shake" and indicates the rapid shaking of the bells for the duration of the note. Lower mordent inverted Rapidly play the principal note, the note below it, then return to the principal note for the remaining duration.

In much music, the mordent begins on the auxiliary note, and the alternation between the two notes may be extended.

Turn When placed directly above the note, the turn also known as a gruppetto indicates a sequence of upper auxiliary note, principal note, lower auxiliary note, and a return to the principal note.

When placed to the right of the note, the principal note is played first, followed by the above pattern. Placing a vertical line through the turn symbol or inverting it, it indicates an inverted turn , in which the order of the auxiliary notes is reversed.

Appoggiatura The first half of the principal note's duration has the pitch of the grace note the first two-thirds if the principal note is a dotted note.

Acciaccatura The acciaccatura is of very brief duration, as though brushed on the way to the principal note, which receives virtually all of its notated duration.

In percussion notation, the acciaccatura symbol denotes the flam rudiment, the miniature note still positioned behind the main note but on the same line or space of the staff.

The flam note is usually played just before the natural durational subdivision the main note is played on, with the timing and duration of the main note remaining unchanged.

Also known by the English translation of the Italian term, crushed note , and in German as Zusammenschlag simultaneous stroke. Ottava The 8 va pronounced ottava alta sign is placed above the staff as shown to tell the musician to play the passage one octave higher.

Quindicesima The 15 ma sign is placed above the staff as shown to mean play the passage two octaves higher.

A 15 ma sign below the staff indicates play the passage two octaves lower. Tremolo A rapidly repeated note. If the tremolo is between two notes, then they are played in rapid alternation.

The number of slashes through the stem or number of diagonal bars between two notes indicates the frequency to repeat or alternate the note.

As shown here, the note is to be repeated at a demisemiquaver thirty-second note rate, but it is a common convention for three slashes to be interpreted as "as fast as possible", or at any rate at a speed to be left to the player's judgment.

Repeat signs Enclose a passage that is to be played more than once. If there is no left repeat sign, the right repeat sign sends the performer back to the start of the piece or the nearest double bar.

Simile marks Denote that preceding groups of beats or measures are to be repeated. In the examples here, the first usually means to repeat the previous measure, and the second usually means to repeat the previous two measures.

Volta brackets 1st and 2nd endings , or 1st- and 2nd-time bars A repeated passage is to be played with different endings on different playings; it is possible to have more than two endings 1st, 2nd, 3rd This is usually followed by al fine lit.

This is followed by al fine or al coda just as with da capo. Coda Indicates a forward jump in the music to its ending passage, marked with the same sign.

Only used after playing through a D. Left-hand pizzicato or Stopped note A note on a stringed instrument where the string is plucked with the left hand the hand that usually stops the strings rather than bowed.

On the horn , this accent indicates a "stopped note" a note played with the stopping hand shoved further into the bell of the horn.

In percussion this notation denotes, among many other specific uses, to close the hi-hat by pressing the pedal, or that an instrument is to be "choked" muted with the hand.

Snap pizzicato On a stringed instrument, a note played by stretching a string away from the frame of the instrument and letting it go, making it "snap" against the frame.

Natural harmonic or Open note On a stringed instrument, means to play a natural harmonic also called flageolet.

On a valved brass instrument, it means to play the note "open" without lowering any valve, or without mute.

In organ notation, this means to play a pedal note with the heel above the note, use the right foot; below the note, use the left foot.

In percussion notation this denotes, among many other specific uses, to open the hi-hat by releasing the pedal, or allow an instrument to ring.

Up bow or Sull'arco On a bowed string instrument, the note is played while drawing the bow upward. On a plucked string instrument played with a plectrum or pick such as a guitar played pickstyle or a mandolin , the note is played with an upstroke.

On a plucked string instrument played with a plectrum or pick such as a guitar played pickstyle or a mandolin , the note is played with a downstroke.

Engage pedal Tells the player to put the sustaining pedal down. Variable pedal mark More accurately indicates the precise use of the sustain pedal.

The extended lower line tells the player to keep the sustain pedal depressed for all notes below which it appears.

Con sordino , Una corda Tells the player to put the soft pedal down or, in other instruments, apply the mute.

Musiknoten symbol -

Schlussstrich Der Schlussstrich markiert das Ende des Stücks. Und wenn das N. Akzent Diese Töne werden gegenüber unbezeichnet notierten dynamisch betont , d. Diese Notation wird häufig bei Zupfinstrumenten verwendet, wobei die Notenlinien hier für die einzelnen Saiten stehen und mit Zahlen auf den Linien notiert wird, bei welchem Bund die Saite zu greifen ist. Aber vielleicht guckst du einfach mal hier, ob du da das findest, wonach du suchst: Super, hier sind alle die ich meine.

You can use the music fonts from your text options and make very professional layouts. The big shortcut here is that you can download music fonts online.

Check out different sources to find the best version for you. This page may be out of date. Save your draft before refreshing this page.

Submit any pending changes before refreshing this page. Ask New Question Sign In. Quora uses cookies to improve your experience. How do you create music note symbols in text?

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Answered Jun 12, I have no idea what your question means. Offset printing changed all that. How do you text music notes? What is the most effective way to type music note symbols on a Mac?

Is there an emoji music note symbol? What is this music symbol? You mean from your computer keyboard? Download a music font such as. Answered Jun 14, Answered Nov 24, I hope you find this useful.

Related Questions What are the Alt key codes for writing music notes symbols? Where can you find music note symbols in Word?

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Such ledger lines are placed behind the note heads, and extend a small distance to each side. Multiple ledger lines can be used when necessary to notate pitches even farther above or below the staff.

Bar line These separate measures see time signatures below for an explanation of measures. Also used for changes in time signature. Bar lines are extended to connect multiple staves in certain types of music, such as keyboard, harp, and conductor scores, but are omitted for other types of music, such as vocal scores.

Double bar line, Double barline These separate two sections of music or are placed before a change in key signature.

Bold double bar line, Bold double barline These indicate the conclusion of a movement or an entire composition. Dotted bar line, Dotted barline Subdivides long measures of complex meter into shorter segments for ease of reading, usually according to natural rhythmic subdivisions.

Bracket Connects two or more lines of music that sound simultaneously. In general contemporary usage the bracket usually connects the staves of separate instruments e.

Brace Connects two or more lines of music that are played simultaneously in piano, keyboard, harp, or some pitched percussion music.

G clef Treble clef The centre of the spiral defines the line on which it rests as the pitch G above middle C. This is the most commonly encountered clef in modern notation, and is used for most modern vocal music.

Middle C is the first ledger line below the staff here. The shape of the clef comes from a stylised upper-case-G.

C clef Alto , and Tenor clefs These clefs point to the line representing middle C. As illustrated here, it makes the center line on the staff middle C, and is referred to as the "alto clef".

This clef is used in modern notation for the viola. While all clefs can be placed anywhere on the staff to indicate various tessitura, the C clef is most often considered a "movable" clef: This clef is used very often in music written for bassoon , cello , trombone , and double bass ; it replaces the bass clef when the number of ledger lines above the bass staff hinders easy reading.

Until the classical era, the C clef was also frequently seen pointing to other lines, mostly in vocal music, but today this has been supplanted by the universal use of the treble and bass clefs.

Modern editions of music from such periods generally transpose the original C clef parts to either treble female voices , octave treble tenors , or bass clef tenors and basses.

It can be occasionally seen in modern music on the third space between the third and fourth lines , in which case it has the same function as an octave treble clef.

This unusual practice runs the risk of misreading, however, because the traditional function of all clefs is to identify staff lines, not spaces.

F clef Bass clef The line between the dots in this clef denotes F below middle C. This clef appears nearly as often as the treble clef, especially in choral music, where it represents the bass and baritone voices.

Middle C is the first ledger line above the staff here. In old music, particularly vocal scores, this clef is sometimes encountered centered on the third staff line, in which position it is referred to as a baritone clef ; this usage has essentially become obsolete.

The shape of the clef comes from a stylised upper-case-F which used to be written the reverse of the modern F.

Neutral clef Used for pitchless instruments, such as some of those used for percussion. Each line can represent a specific percussion instrument within a set, such as in a drum set.

Two different styles of neutral clefs are pictured here. It may also be drawn with a separate single-line staff for each untuned percussion instrument.

Octave clef Treble and bass clefs can also be modified by octave numbers. An eight or fifteen above a clef raises the intended pitch range by one or two octaves respectively.

Similarly, an eight or fifteen below a clef lowers the pitch range by one or two octaves respectively.

A treble clef with an eight below is the most commonly used, typically used for guitar and similar instruments, as well as for tenor parts in choral music.

Tablature For stringed instruments it is possible to notate tablature in place of ordinary notes. In this case, a TAB sign is often written instead of a clef.

The number of lines of the staff is not necessarily five: Numbers on the lines show which fret to play the string on. This TAB sign, like the percussion clef, is not a clef in the true sense, but rather a symbol employed instead of a clef.

Similarly, the horizontal lines do not constitute a staff in the usual sense, because the spaces between the lines in a tablature are never used.

Beamed notes Beams connect eighth notes quavers and notes of shorter value and are equivalent in value to flags. In metered music, beams reflect the rhythmic grouping of notes.

They may also group short phrases of notes of the same value, regardless of the meter; this is more common in ametrical passages.

In older printings of vocal music, beams are often only used when several notes are to be sung on one syllable of the text — melismatic singing; modern notation encourages the use of beaming in a consistent manner with instrumental engraving, and the presence of beams or flags no longer informs the singer.

Today, due to the body of music in which traditional metric states are not always assumed, beaming is at the discretion of composers and arrangers, who often use irregular beams to emphasize a particular rhythmic pattern.

Dotted note Placing a dot to the right of a notehead lengthens the note's duration by one-half. Additional dots lengthen the previous dot instead of the original note, thus a note with one dot is one and one half its original value, a note with two dots is one and three quarters, a note with three dots is one and seven eighths, and so on.

Rests can be dotted in the same manner as notes. Ghost note A note with a rhythmic value, but no discernible pitch when played.

It is represented by a saltire cross similar to the letter x for a note head instead of an oval. Multi-measure rest Indicates the number of measures in a resting part without a change in meter to conserve space and to simplify notation.

Also called gathered rest or multi-bar rest. Breath mark In a score, this symbol tells the performer to take a breath or make a slight pause for non-wind instruments.

This pause usually does not affect the overall tempo. For bowed instruments, it indicates to lift the bow and play the next note with a downward or upward, if marked bow.

Caesura Indicates a brief, silent pause, during which time is not counted. In ensemble playing, time resumes when the conductor or leader indicates.

For piano this usually means that the player should release all keys and pedals. Flat Lowers the pitch of a note by one semitone. Sharp Raises the pitch of a note by one semitone.

Natural Cancels a previous accidental, or modifies the pitch of a sharp or flat as defined by the prevailing key signature such as F-sharp in the key of G major, for example.

Double flat Lowers the pitch of a note by two chromatic semitones. Usually used when the note to modify is already flatted by the key signature.

Double sharp Raises the pitch of a note by two chromatic semitones. Usually used when the note to modify is already sharpened by the key signature.

Flat key signature Lowers by a semitone the pitch of notes on the corresponding line or space, and all octaves thereof, thus defining the prevailing major or minor key.

Different keys are defined by the number of flats in the key signature, starting with the leftmost, i. Sharp key signature Raises by a semitone the pitch of notes on the corresponding line or space, and all octaves thereof, thus defining the prevailing major or minor key.

Demiflat Lowers the pitch of a note by one quarter tone. Another notation for the demiflat is a flat with a diagonal slash through its stem.

In systems where pitches are divided into intervals smaller than a quarter tone, the slashed flat represents a lower note than the reversed flat.

Flat-and-a-half sesquiflat Lowers the pitch of a note by three quarter tones. As with a demiflat, a slashed double-flat symbol is also used.

Sharp-and-a-half sesquisharp Raises the pitch of a note by three quarter tones. Occasionally represented with two vertical and three diagonal bars instead.

Specific time — simple time signatures The bottom number represents the note value of the basic pulse of the music in this case the 4 represents the crotchet or quarter-note.

The top number indicates how many of these note values appear in each measure. This example announces that each measure is the equivalent length of three crotchets quarter-notes.

For example, 3 4 is pronounced as "three-four time" or "three-quarter time". Specific time — compound time signatures The bottom number represents the note value of the subdivisions of the basic pulse of the music in this case the 8 represents the quaver or eighth-note.

The top number indicates how many of these subdivisions appear in each measure. Usually each beat is composed of three subdivisions.

To derive the unit of the basic pulse in compound meters, double this value and add a dot, and divide the top number by 3 to determine how many of these pulses there are each measure.

This example announces that each measure is the equivalent length of two dotted crotchets dotted quarter-notes. This is pronounced as "Six-Eight Time".

Common time This symbol represents 4 4 time. It derives from the broken circle that represented "imperfect" duple meter in fourteenth-century mensural time signatures.

Alla breve or Cut time This symbol represents 2 2 time, indicating two minim or half-note beats per measure.

Here, a crotchet or quarter note would get half a beat. Metronome mark Written at the start of a score, and at any significant change of tempo, this symbol precisely defines the tempo of the music by assigning absolute durations to all note values within the score.

In this particular example, the performer is told that crotchets, or quarter notes, fit into one minute of time. Many publishers precede the marking with letters " M.

Tie Indicates that the two or more notes joined together are to be played as one note with the time values added together.

To be a tie, the notes must be identical — that is, they must be on the same line or the same space. Otherwise, it is a slur see below. Slur Indicates to play two or more notes in one physical stroke, one uninterrupted breath, or on instruments with neither breath nor bow connected into a phrase as if played in a single breath.

In certain contexts, a slur may only indicate to play the notes legato. In this case, rearticulation is permitted. Glissando or Portamento A continuous, unbroken glide from one note to the next that includes the pitches between.

Some instruments, such as the trombone, timpani, non-fretted string instruments, electronic instruments, and the human voice can make this glide continuously portamento , while other instruments such as the piano or mallet instruments blur the discrete pitches between the start and end notes to mimic a continuous slide glissando.

Tuplet A number of notes of irregular duration are performed within the duration of a given number of notes of regular time value; e.

Tuplets are named according to the number of irregular notes; e. Chord Several notes sounded simultaneously "solid" or "block" , or in succession "broken".

Two-note chords are called dyad ; three-note chords are called triads. A chord may contain any number of notes.

Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played.

It is also called a "broken chord". Pianississimo [D 1] Extremely soft. Very infrequently does one see softer dynamics than this, which are specified with additional p s.

Usually the softest indication in a piece of music, though softer dynamics are often specified with additional p s. Mezzo forte Moderately loud; softer than forte.

If no dynamic appears, mezzo-forte is assumed to be the prevailing dynamic level. Usually the loudest indication in a piece, though louder dynamics are often specified with additional f s such as fortississimo — seen below.

Fortississimo [D 1] Extremely loud. Very infrequently does one see louder dynamics than this, which are specified with additional f s.

Sforzando Literally "forced", denotes an abrupt, fierce accent on a single sound or chord. When written out in full, it applies to the sequence of sounds or chords under or over which it is placed.

Crescendo A gradual increase in volume. Can be extended under many notes to indicate that the volume steadily increases during the passage.

Diminuendo Also decrescendo A gradual decrease in volume. Can be extended in the same manner as crescendo. Forte-piano A section of music in which the music should initially be played loudly forte , then immediately softly piano.

Staccato This indicates the musician should play the note shorter than notated , usually half the value; the rest of the metric value is then silent.

Staccato marks may appear on notes of any value, shortening their performed duration without speeding the music itself.

Staccatissimo or Spiccato Indicates a longer silence after the note as described above , making the note very short. Usually applied to quarter notes or shorter.

These usages are now almost defunct, but still appear in some scores. In string instruments this indicates a bowing technique in which the bow bounces lightly upon the string.

Accent Play the note louder, or with a harder attack than surrounding unaccented notes. May appear on notes of any duration.

Tenuto This symbol indicates play the note at its full value, or slightly longer.

symbol musiknoten -

Das Zeichen wird gelegentlich auch wie ein Sforzato verwendet, soll also den Ton in die symbolisierte kleine Crescendo-Gabel einhüllen zum Ende der notierten Dauer hin abschwellend. Abstraktes blaues Plakatdesign für Musikfestival , Vor 9 Monaten. Wenn ich diese Seite noch in Deutsch finde, kann ich es sogar umsetzen. Schlussstrich Der Schlussstrich markiert das Ende des Stücks. Hauptsächlich bei Rhythmus-Instrumenten Schlagzeug, Perkussion zu finden. Ich finde sie läuft zu häufig, mein Gefrierschrank sprang eher selten an, diese hier läuft andauern,obwohl sie nicht geöffnet wurde. Pedal drücken Hinweis für den Spieler, das Fortepedal herunterzudrücken. Notenschriftzeichen Platzhalter für Noten ohne Notenkopf. Kreuz Erhöhungszeichen Erhöht die Note um einen chromatischen Halbtonschritt. Reggae-Stil Hintergrund 9 Vor 2 Wochen. Online casino einzahlung Music Notes On Facebook. A treble clef with an eight below musiknoten symbol the most casino en ligne la riviera used, typically used for guitar and similar instruments, as well as for tenor parts in choral music. Soup from a tin can Beste Spielothek in Urnerstafel finden stevenbrought from Hull How do I make a heart symbol in a text message? One small, but important thing: Please send me basic knowledge. How jackpot sakko I create a music playlist? In vocal music a slur normally indicates that notes grouped together by the slur should be sung to musiknoten symbol single syllable. Can be extended in the same manner as crescendo. Add it directly behind the note and it becomes a dotted note. Articulations or accents specify how to perform individual notes within a phrase or passage. This can be done by selecting the Apple icon in the upper left-hand side of your screen or by clicking on the silver icon that resembles a cog from your task bar. Das mittlere C kommt in diesem Fall auf der ersten Hilfslinie unter online wms slot games System zu liegen. Neben dieser Bedeutung für die Artikulation wird die Fermate musiknoten symbol zdf live skispringen die Markierung eines Endes fine verwendet, etwa in Kanons oder bei Stücken mit Wiederholung vom Anfang. Notensystem Grundlegendes System, bestehend aus fünf Notenlinien, in dem die Noten eingetragen werden. Nun kann man eine eigene Tastenkombination drücken, die man sich natürlich merken muss. Auflösungszeichen Löst für diesen Takt das vorhergehende Vor- bzw. Auflösungszeichen Löst für diesen Takt das vorhergehende Vor- bzw. Colchoneros Taktstrich Der gestrichelte Taktstrich wird verwendet, um lange Flying pigs in logische Abschnitte zu unterteilen. Taktstrich Der Taktstrich trennt zwei aufeinanderfolgende Takte. Das Zeichen wird gelegentlich auch wie ein Sforzato verwendet, soll also den Ton in die symbolisierte kleine Casino wiesbaden pokerturnier einhüllen zum Ende der notierten Dauer hin abschwellend. Notenschriftzeichen Doppeloktavierung nach unten. Hier können Sie Ihre Lizenz herunterladen. Ces-Dur und musiknoten symbol Diese sog. Play Cowboys & Aliens Online Pokies at Casino.com Australia Shareware vermarktet, reicht die hier downloadbare Version für die meisten Zwecke völlig aus.

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Musiknoten symbol

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